The Harmonizer
®
Programmer’s Manual
© 1999-2008 Eventide, Inc. Page 49 of 97 Release 1.3
To keep things straight, let’s rename
these modules. Remember to tack a
“1” on at the end of each name.
That way their names will Copy
appropriately when we Copy these
modules for the second channel.
Now double click on the “modulator 1”
module and change the max delay
specifier to 50 milliseconds. A 50ms
modulation is more than sufficient for a flanger. Also, set its delayamt control input to “0.1." Doing so will
ensure that the delay time is never modulated to zero milliseconds, a situation that can result in audible
clicks and pops. Now we’ve accomplished “cornerstone one." The audio is set (for channel one,
anyway).
This is a good time to make sure the flanger works as you expect it to. Connect the
userobject outputs from these four modules to the head module (adding repeating fields as
necessary)
and then select the Send command under the Midi menu to upload the program to
the Harmonizer.
Depending on the order of your connections, you’ll see something like the screen to the
right in the Harmonizer. To get the flanger working, you’ll
need to set atten1 on the [feedback] menu page to 1.00,
delay on the [modulato] menu page to 0.1 ms, moddelay on
the [modulato] menu page to 5.0 ms, and freq on the
[waveform] menu page to 0.250 Hz. Try it out.
Assuming it works and you’re not cursing this page, you’ll want to choose the Update params command
under the Midi menu to “grab” the parameter changes you made in the Harmonizer. Now let’s concentrate
on controlling the parameters of this program.
We’re going to create a menu page that utilizes “parameter
adjusters." To create a cool, usable flanger, we’ll need six
“parameter” adjusters and one monitor per channel
(to the right is
a “sneak peek” at what we’ll have when we’re done)
:
• We’ll need a “
Strength” parameter that adjusts the length
of the delay modulation.
• We’ll need a “Feedback” parameter that controls how much of the delay’s output is reapplied to its
input. This will actually control the level of the mix module’s second input.
• We’ll need a “Depth” parameter that controls how much of the modulated signal is recombined with
the original signal. This will actually control the level of the mixer module’s second input.
• We’ll need a “
Rate” parameter that controls the rate of the LFO module.
• We’ll need a “Wave” parameter that selects the LFO module’s waveshape.
• We’ll need a “
Duty” parameter that controls the duty cycle of the LFO module’s waveshape.
(207 pages)
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